![]() ![]() What did interest him was the Graflex single-lens high-speed camera his father had given him for his thirteenth birthday, with which he learned to capture crisp images of subjects in motion. When Steven asked Stanley why he didn’t do his own assignments, he got this placid reply: “I’m not interested.” He regularly cribbed chemistry homework from Steven Marcus, his good friend and classmate and my late Columbia colleague. His mind was not on his drums or on his schoolwork. This Jewish Ahab grew up in the Bronx, where he played percussion in a high school swing band (the lead singer was Eydie Gormé) and earned a reputation as a dreamy kid with a short attention span. “And he spat at the windshield from inside the car.” Some sixty years later, Michael Herr, the author of the Vietnam memoir Dispatches and collaborator with Kubrick on Full Metal Jacket (1987), wrote, “You’d have to be Herman Melville to transmit the full strength of Stanley’s will.” “I’m gonna get the money from him no matter what-I can tell you that right now,” Kubrick said. Paul Mazursky, to whom Stanley Kubrick gave his first substantial role in Kubrick’s own first feature film, Fear and Desire (1953), recalls their driving together on a mission to hit up the young director’s uncle for a loan to finance the film. Stanley Kubrick on the set of Barry Lyndon, 1975 ![]()
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